Book Contents

Chapter One

HABITS MUSIC EDUCATION STUDENTS NEED FOR SUCCESS

Participating in Large Ensembles After Requirements are Met

Being Highly Skilled on Secondary Instruments

Observing Master Teachers in All Settings

Learning How to Teach New Concepts

Observing in the Fall

Starting your Student Teaching Early

Being an Active Member of your University’s CNAfME Organization

Being in a University Choir

Keeping a Teacher Planner

Attending Professional Development Events

Building Professional Connections

Chapter TWO

Curriculum

First-Year Curriculum

Common Hand Position and Posture Issues

Second-Year Curriculum

Third-Year Curriculum

Chapter THREE

ASSESS FOR SUCCESS

Different Types of Assessment

Rubrics

Utilizing Technology for Assessment

Chapter FOUR

THE COMPONENTS OF TEACHING

The Components of Playing

Teaching Strategies

Transpositions

The Teaching Inventory Database

Fundamentals Time

Chapter FIVE

STRING SPECIFIC PEDAGOGY

Balancing

Left Hand Skills

Shifting

The Right Hand

Teaching Tone Through Modeling

Tuning

Chapter  SIX

RECRUITMENT AND SCHEDULING

Student Recruitment and Evaluation

Instrument Testing Night

Instruments and Their Challenges

Achieving Balanced Instrumentation

The Invitation to Join the Program

Secondary and Follow-up Recruiting

Scheduling and Instrumentation

Alternative Philosophy

Scheduling Effective Class Groupings

Chapter SEVEN

PLANNING FOR INSTRUCTION

Lesson Planning

First Days of Music Instruction

The Start-up Clinic

Tips on Producing Appropriate First Sounds

First Days with Instruments

Rehearsal Procedures

Effective Personal Practice Habits

Technology in the Classroom

Chapter EIGHT

BEGINNER METHOD BOOKS

Choosing a Beginner Method Book

Habits of a Successful Beginner Band Musician

Supplemental Books and Materials

Chapter NINE

CONCERT PROGRAMMING FOR MIDDLE SCHOOL

Concert Literature

The Importance of the First Beginning Concert

Large Ensemble Programming

Student Involvement with “Fun” Music

Programming “Theme” Concerts

Chapter TEN

ORGANIZATION AND COMMUNICATION

Organization

Communication

The Middle School Handbook

Organizing the Rehearsal

Working with Parents

Classroom Culture and Management

Policies, Expectations, Procedures, Rules and Consequences

The State Music Association

The Principal / Director Relationship

Working with Other Staff and School Personnel

Equity and Inclusion in the Instrumental Music Class

Chapter ELEVEN

MARCHING BAND AND OTHER ENSEMBLE METHODS

Recruitment and the Letter of Intent

Marching Band Philosophy

The Marching Band Rehearsal

Marching Band Arrangements

Drill Writing

Hiring a Marching Band Staff

Jazz Band

Percussion Ensemble

Chapter Twelve

HIGH SCHOOL REPERTOIRE

Concert Programming for High School

Chamber Music

Percussion Ensemble Repertoire

Flex Band Arrangements

Method Books

Solo Repertoire for High School Students

Jazz Ensemble Repertoire

Score Study and Music Making

Chapter THIRTEEN

MAKING MUSIC

From the Components of Playing to Music Making

Establishing a Musical Rehearsal Vocabulary

Passion for Music Making

The Collaborative Discovery Process

Chapter FOURTEEN

CREATING A COMMUNICATIVE SUPPORT SYSTEM

The High School Handbook

The Master Schedule

 Creating an Effective Internet Presence

Creating an Effective Booster Organization

Booster Budgets

The Parent Orientation Meeting 

Chapter Fifteen

CREATING A CULTURE OF EXCELLENCE

The Pathway to Success Model

SEL in the Music Classroom

Creating a Successful Student Leadership Team

Goal Setting

Mission Statement

Classroom Scenarios for Middle and High School

Being in the MUSIC Business and the PEOPLE Business

Chapter SIXTEEN

STUDENT TEACHING AND BEYOND

What You Should Know Before You Go

The Importance of a Mentor

The Effectiveness Checklist

The Job Interview

Starting a New Job

Create your Personal Electronic Portfolio

Characteristics of Great Teachers

The Proximity Principle

Tips from Master Teachers

Chapter SEVENTEEN

FINAL WORDS

Leaning Against the Wrong Wall